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		<title>Transparent Bundles from Wall Street to Web 2.0</title>
		<link>http://sethgoldstein.com/2007/05/14/transparent-bundles-from-wall-street-to-web-20/</link>
		<comments>http://sethgoldstein.com/2007/05/14/transparent-bundles-from-wall-street-to-web-20/#comments</comments>
		<pubDate>Mon, 14 May 2007 18:59:44 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Alchemy]]></category>
		<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[Hedge Funds]]></category>
		<category><![CDATA[Soft Dollars]]></category>
		<category><![CDATA[Wall Street]]></category>

		<guid isPermaLink="false">http://blog.sethgoldstein.com/?p=85</guid>
		<description><![CDATA[I am slowly starting to settle into a routine here in California.&#160; The past few months have been filled with new beginnings- a new school for the kids, a new job and commute for Tina, new grocery stores and restaurants and little league fields.&#160; The Taxi cab-hailing hustle of Manhattan has given way to hustling [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=209&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I am slowly starting to settle into a routine here in California.&nbsp; The past few months have been filled with new beginnings- a new school for the kids, a new job and commute for Tina, new grocery stores and restaurants and little league fields.&nbsp; The Taxi cab-hailing hustle of Manhattan has given way to hustling my bike to the top of Mt Tam.</p>
<p>Ideas don&#8217;t change at the same pace as activities, however, and I find myself thinking through the same issues about transparency that stimulated this blog <a href="http://majestic.typepad.com/seth/2004/03/transparent_bun.html" target="_blank">in the first place</a>.&nbsp; Back then I was focused on <a href="http://en.wikipedia.org/wiki/Soft_dollar">soft dollars</a> and the opacity of financial markets not media markets:
</p>
<blockquote><p>&#8230;soft dollars and bundled commissions are the vig that generates much of the wealth among the brokerage industry in New York, which in turn lubricates expense accounts at lunch time and grand Park Avenue co-ops and East Hampton beachfronts. Is it not ironic that New York has a mayor whose namesake company benefits more from monthly soft dollar payments than perhaps any other financial institution. In a way, Bloomberg has taken the notion of value-added brokerage services to the peak of civic duty. Our city itself reflects the residual value of opacity in financial markets. And so the question comes back to what happens to the brokerage industry when transparency become of more value to investors than opacity?</p>
</blockquote>
<p>
Three years later, soft dollar pratices are as opaque as ever.&nbsp; The SEC has catered to the rich interests of hedge fund and stock brokerage lobbyists and enabled both sides to continue their practice of doing business with eachother in a very gray market.&nbsp; Even the most sophisticated individuals outside of the financial services industry have little sense of what is really going on, in terms of the ways in which large institutional investors and large banks and brokers profit from closed data practices. </p>
<p>This is not that different from the dynamics of the online advertising environment- there are large institutional advertisers doing business with large media companies and advertising networks.&nbsp; Despite the pre-text of openness and transparency, the online media market works hard to obscure the discovery of price by the very individuals producing it; namely the people who are using the medium, searching for things, clicking on ads, and conducting commercial transactions.&nbsp; The web user, like the individual&nbsp; investor, has resigned himself to letting larger interests capture, aggregate, and monetize his data behavior.&nbsp; He has been led to believe that this is simply part of the bargain of having such &quot;low&quot; transaction costs for trading stocks or searching for information. </p>
<p>If I had to draw a continuous line through all of my disparate activities over the past ten years, this would be it:&nbsp; identifying and interpreting the direct economic value of an individual data actor.&nbsp; We may never in our lifetime see a day when a person develops an acute, vested interest in the value of his data; the spread between the value of a handful of clicks and that of a mass of aggregate behavior is significant. </p>
<p>Although it may be hard to keep track of the progression of Media Futures, we are stuck between the end of Alchemy and the beginning of Arbitrage.&nbsp; This is where the creativity stops and the money kicks in; not that surprising against the backdrop of so much M&amp;A activity (DoubleClick, RightMedia, StumbleUpon, etc.) </p>
<p>In May 2005, I <a href="http://majestic.typepad.com/seth/2005/05/media_futures_p.html" target="_blank">made this transition</a> in the first Media Futures series.&nbsp; It was etymological in nature and only <a href="http://majestic.typepad.com/seth/2005/05/media_futures_p_3.html" target="_blank">hinted </a>at the real activities that I was engaged with as an entrepreneur, as I handed over the reins of <a href="http://www.majesticresearch.com" target="_blank">Majestic Research</a> to a new CEO in order to focus on creating <a href="http://www.rootexchange.com" target="_blank">Root Markets</a>.&nbsp; Flash forward two years and I am at a similar juncture; this time moving from Root in NY to AttentionSoft in SF.</p>
<p>The transition from Alchemy to Arbitrage that I want to describe this time will be more personal, now that the philosophical ground work has been established.&nbsp; I want to trace the evolution of a central idea- transparency- through the founding of a new investment research process in 2002 all the way through the creation of a new consumer data platform in 2007. </p>
<p>As always, thanks for staying tuned.
</p>
<blockquote></blockquote>
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		<title>MEDIA FUTURES 2006: 2/5 ALGORITHM: Introducing the AttentionGate series, where algorithms represent identities</title>
		<link>http://sethgoldstein.com/2006/09/08/media-futures-2006-25-algorithm-introducing-the-attentiongate-series-where-algorithms-represent-identities/</link>
		<comments>http://sethgoldstein.com/2006/09/08/media-futures-2006-25-algorithm-introducing-the-attentiongate-series-where-algorithms-represent-identities/#comments</comments>
		<pubDate>Fri, 08 Sep 2006 12:46:57 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[Media Futures]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://sethgoldstein.wordpress.com/2006/09/08/media-futures-2006-25-algorithm-introducing-the-attentiongate-series-where-algorithms-represent-identities/</guid>
		<description><![CDATA[Ever wonder how algorithms threaten our identities? Tune into AttentionGate, the new series from the folks that brought you Identity Theft In the Arrival, the first episode in 1967 of the British TV show The Prisoner, Number 6 says: “I will not make any deals with you. I&#8217;ve resigned. I will not be pushed, filed, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=67&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/watergate.jpg"><img width="150" height="110" border="0" src="http://majestic.typepad.com/seth/images/watergate.jpg" alt="Watergate" style="float:left;margin:0 5px 5px 0;" /></a>
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<p><strong><em>Ever wonder how algorithms threaten our identities?</em></strong></p>
<p><strong><em>Tune into AttentionGate, the new series from the folks that brought you Identity Theft</em></strong></p>
<p>In the Arrival, the first episode in 1967 of the British TV show <a href="http://en.wikipedia.org/wiki/The_Prisoner">The Prisoner</a>, Number 6 says:</p>
<blockquote><p>“I will not make any deals with you. I&#8217;ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.”<em>&nbsp;</em></p>
</blockquote>
<p>If an algorithm is an operation that turns a certain input into an equally certain output, then it can be seen as expressing a unique and consistent identity.&nbsp; The extent to which this algorithm, in trying to faithfully represent a pre-existing identity, in the process reduces that identity to something less than itself, then the algorithm no longer represents identity.&nbsp; Instead, the algorithm disturbs, distorts and destroys the identity.&nbsp; It becomes a new, different identity- maybe still disguised as the underlying, organic, authentic, original human identity but actually nothing more than a bionic simulation.&nbsp; </p>
<p>When the input for an algorithm is the attention of the user, the success of the algorithm is based on its ability to record attention data at its original resolution, preserved in its original context.&nbsp; For example, it’s not only the specific area of the page I was paying attention to, but who influenced me to go there in the first place.&nbsp; The failure of attention algorithms to maintain this fidelity began with “My Tivo Thinks I am Gay”</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/tivogaywsj.jpg"><img width="150" height="69" border="0" src="http://majestic.typepad.com/seth/images/tivogaywsj.jpg" alt="Tivogaywsj" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p></p>
<p>In trying to correct the machine from thinking he was gay, Mr. Iwanyk “tried to tame TiVo’s gay fixation by recording war movies and other “guy stuff.”&nbsp; His attempt to recalibrate the attention algorithm is too strong, and its starts to generate “documentaries on Joseph Goebbels and Adolf Eichmann” as output.</p>
<p>The specter of the Holocaust casts its shadow once again.&nbsp; Data costs merge into datacaust.&nbsp; Before we had identity theft in the information world, we had<br />
identity theft in the physical world.&nbsp; This was not about stealing a<br />
virtual identity, but about stealing physical bodies.&nbsp; Removing human<br />
expression (hairstyle, clothing, jewelry, social circle) and reducing<br />
the individual to a single number was the best way to eliminate human identity without eliminating human productivity.</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/auschwitztattoo.jpg"><img width="150" height="110" border="0" alt="Auschwitztattoo" src="http://majestic.typepad.com/seth/images/auschwitztattoo.jpg" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<blockquote><p><em>As the number of prisoners brought to the expanding Auschwitz<br />
complex rose, so did the death rate. But if a corpse were separated<br />
from its uniform, identification was rendered all but impossible. With<br />
often hundreds of prisoners dying per day, other methods of<br />
identification were needed&#8230; In May 1944, numbers in the &quot;A&quot; series<br />
and the &quot;B&quot; series were first issued to&nbsp; Jewish prisoners, beginning<br />
with the men on May 13th and the women on May 16th. The &quot;A&quot; series was<br />
to be completed with 20,000; however an error led to the women being<br />
numbered to 25,378 before the &quot;B&quot; series was begun. The intention was<br />
to work through the entire alphabet with 20,000 numbers being issued in<br />
each letter series. In each series, men and women had their own<br />
separate numerical series, ostensibly beginning with number 1&#8230;&nbsp; from <a href="http://www.chgs.umn.edu/Educational_Resources/Curriculum/Auschwitz_Tattooing/auschwitz_tattooing.html">The Center for Holocaust and Genocide Studies</a></em></p>
</blockquote>
<p>&nbsp; <br />Today, the seductiveness of Tivo has been eclipsed by the sensitive ears of search boxes.&nbsp; Every interest is heard, every desire is remembered, every curiosity recorded on somebody else’s server.&nbsp; In exchange for capturing all of this information, the search algorithm promises to return relevant links that deliver a profitable return on attention.&nbsp; </p>
<p>When we wonder about the black box, and ask to see the wizard inside of an attention algorithm, invariably that black box opens up to reveal another one: at the same moment link-based algorithms are losing the battle against splogs and fraudulent clicks, personalized search emerges and seduces us effortlessly into a new attention algorithm; at least until people start wondering about the value of consuming their own personal attention residues and log out out from the platform. </p>
<p><em>Stay tuned for upcoming AttentionGate episodes on AOL search data and pretext surveillance at HP &#8230;</em> </p>
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		<title>MEDIA FUTURES 2006: 2/5 ALGORITHM: Introducing the AttentionGate series, where algorithms represent identities</title>
		<link>http://sethgoldstein.com/2006/09/08/media-futures-2006-25-algorithm-introducing-the-attentiongate-series-where-algorithms-represent-identities-2/</link>
		<comments>http://sethgoldstein.com/2006/09/08/media-futures-2006-25-algorithm-introducing-the-attentiongate-series-where-algorithms-represent-identities-2/#comments</comments>
		<pubDate>Fri, 08 Sep 2006 18:46:57 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[Media Futures]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://blog.sethgoldstein.com/?p=68</guid>
		<description><![CDATA[Ever wonder how algorithms threaten our identities? Tune into AttentionGate, the new series from the folks that brought you Identity Theft In the Arrival, the first episode in 1967 of the British TV show The Prisoner, Number 6 says: “I will not make any deals with you. I&#8217;ve resigned. I will not be pushed, filed, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=193&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/watergate.jpg"><img width="150" height="110" border="0" src="http://majestic.typepad.com/seth/images/watergate.jpg" title="Watergate" alt="Watergate" style="float:left;margin:0 5px 5px 0;" /></a>
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<p><span style="font-size:.8em;"><em></p>
<p></em></span></p>
<p><strong><em><br /></em></strong></p>
<p><strong><em><br /></em></strong></p>
<p><strong><em>Ever wonder how algorithms threaten our identities?</em></strong></p>
<p><strong><em>Tune into AttentionGate, the new series from the folks that brought you Identity Theft</em></strong></p>
<p>In the Arrival, the first episode in 1967 of the British TV show <a href="http://en.wikipedia.org/wiki/The_Prisoner">The Prisoner</a>, Number 6 says:</p>
<blockquote><p>“I will not make any deals with you. I&#8217;ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.”<em>&nbsp;</em></p>
</blockquote>
<p>If an algorithm is an operation that turns a certain input into an equally certain output, then it can be seen as expressing a unique and consistent identity.&nbsp; The extent to which this algorithm, in trying to faithfully represent a pre-existing identity, in the process reduces that identity to something less than itself, then the algorithm no longer represents identity.&nbsp; Instead, the algorithm disturbs, distorts and destroys the identity.&nbsp; It becomes a new, different identity- maybe still disguised as the underlying, organic, authentic, original human identity but actually nothing more than a bionic simulation.&nbsp; </p>
<p>When the input for an algorithm is the attention of the user, the success of the algorithm is based on its ability to record attention data at its original resolution, preserved in its original context.&nbsp; For example, it’s not only the specific area of the page I was paying attention to, but who influenced me to go there in the first place.&nbsp; The failure of attention algorithms to maintain this fidelity began with “My Tivo Thinks I am Gay”</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/tivogaywsj.jpg"><img width="150" height="69" border="0" src="http://majestic.typepad.com/seth/images/tivogaywsj.jpg" title="Tivogaywsj" alt="Tivogaywsj" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p></p>
<p>In trying to correct the machine from thinking he was gay, Mr. Iwanyk “tried to tame TiVo’s gay fixation by recording war movies and other “guy stuff.”&nbsp; His attempt to recalibrate the attention algorithm is too strong, and its starts to generate “documentaries on Joseph Goebbels and Adolf Eichmann” as output.</p>
<p>The specter of the Holocaust casts its shadow once again.&nbsp; Data costs merge into datacaust.&nbsp; Before we had identity theft in the information world, we had<br />
identity theft in the physical world.&nbsp; This was not about stealing a<br />
virtual identity, but about stealing physical bodies.&nbsp; Removing human<br />
expression (hairstyle, clothing, jewelry, social circle) and reducing<br />
the individual to a single number was the best way to eliminate human identity without eliminating human productivity.</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/auschwitztattoo.jpg"><img width="150" height="110" border="0" alt="Auschwitztattoo" title="Auschwitztattoo" src="http://majestic.typepad.com/seth/images/auschwitztattoo.jpg" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<blockquote><p><em>As the number of prisoners brought to the expanding Auschwitz<br />
complex rose, so did the death rate. But if a corpse were separated<br />
from its uniform, identification was rendered all but impossible. With<br />
often hundreds of prisoners dying per day, other methods of<br />
identification were needed&#8230; In May 1944, numbers in the &quot;A&quot; series<br />
and the &quot;B&quot; series were first issued to&nbsp; Jewish prisoners, beginning<br />
with the men on May 13th and the women on May 16th. The &quot;A&quot; series was<br />
to be completed with 20,000; however an error led to the women being<br />
numbered to 25,378 before the &quot;B&quot; series was begun. The intention was<br />
to work through the entire alphabet with 20,000 numbers being issued in<br />
each letter series. In each series, men and women had their own<br />
separate numerical series, ostensibly beginning with number 1&#8230;&nbsp; from <a href="http://www.chgs.umn.edu/Educational_Resources/Curriculum/Auschwitz_Tattooing/auschwitz_tattooing.html">The Center for Holocaust and Genocide Studies</a></em></p>
</blockquote>
<p>&nbsp; <br />Today, the seductiveness of Tivo has been eclipsed by the sensitive ears of search boxes.&nbsp; Every interest is heard, every desire is remembered, every curiosity recorded on somebody else’s server.&nbsp; In exchange for capturing all of this information, the search algorithm promises to return relevant links that deliver a profitable return on attention.&nbsp; </p>
<p>When we wonder about the black box, and ask to see the wizard inside of an attention algorithm, invariably that black box opens up to reveal another one: at the same moment link-based algorithms are losing the battle against splogs and fraudulent clicks, personalized search emerges and seduces us effortlessly into a new attention algorithm; at least until people start wondering about the value of consuming their own personal attention residues and log out out from the platform. </p>
<p><em>Stay tuned for upcoming AttentionGate episodes on AOL search data and pretext surveillance at HP &#8230;</em> </p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/sethgoldstein.wordpress.com/193/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/sethgoldstein.wordpress.com/193/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/sethgoldstein.wordpress.com/193/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/sethgoldstein.wordpress.com/193/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/sethgoldstein.wordpress.com/193/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/sethgoldstein.wordpress.com/193/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/sethgoldstein.wordpress.com/193/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/sethgoldstein.wordpress.com/193/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/sethgoldstein.wordpress.com/193/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/sethgoldstein.wordpress.com/193/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=193&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
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		<title>MEDIA FUTURES 2006:  2/5 ALGORITHM:  History of Algorithm</title>
		<link>http://sethgoldstein.com/2006/09/03/media-futures-2006-25-algorithm-history-of-algorithm/</link>
		<comments>http://sethgoldstein.com/2006/09/03/media-futures-2006-25-algorithm-history-of-algorithm/#comments</comments>
		<pubDate>Sun, 03 Sep 2006 23:02:57 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[Automata]]></category>
		<category><![CDATA[Data]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media Futures]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://sethgoldstein.wordpress.com/2006/09/03/media-futures-2006-25-algorithm-history-of-algorithm/</guid>
		<description><![CDATA[An algorithm is a machine that can be used to reproduce a unique pattern of behavior.&#160; &#160;The history of the word traces back to the Greeks and the instruments they used for mathematics; for example, the sieve.&#160; In the context of Media Futures, imagine that algorithms are tightly woven filters that capture the full range [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=66&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>An algorithm is a machine that can be used to reproduce a unique pattern of behavior.&nbsp; &nbsp;The history of the word traces back to the Greeks and the instruments they used for mathematics; for example, the sieve.&nbsp; In the context of Media Futures, imagine that algorithms are tightly woven filters that capture the full range of human Automata and slowly sift through them to produce the most meaningful, intentional gestures.</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/animation_sieb_des_eratosthenes.gif"><img width="150" height="124" border="0" alt="Animation_sieb_des_eratosthenes" src="http://majestic.typepad.com/seth/images/animation_sieb_des_eratosthenes.gif" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong>Ancient Algorithms</strong></p>
<p>Finding its root in <em>algorism,</em> a reading of the name of Abu Ja’far Muhammad ibn Musa Al-Khwarizmi, the 9th century Persian mathematician who described a set of rules for solving both Linear and Quadratic equations, algorithm came to its present state by way of an 18th century European Latin translation and soon expanded its meaning to encompass all definite procedures for solving problems or performing tasks.&nbsp; The very first algorithms are a part of the Babylonian mathematical legacy – a legacy which not only left us with algorithms for factorization, finding square roots and performing long division, but which also left us with the base 60 system that gives 60 minutes to an hour, 60 seconds to a minute, 360 degrees to a circle and 24 hours to a clock.&nbsp; Babylonians were in fact able to calculate things with the same accuracy as Renaissance mathematicians due to their use of number tables, like the Plimpton Tablet, a table of Pythagorean Triples from about 1700 B.C.</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/plimptontablet.gif"><img width="150" height="113" border="0" src="http://majestic.typepad.com/seth/images/plimptontablet.gif" alt="Plimptontablet" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>While the Babylonians based their mathematical system in large part on algebra, the Greek system of mathematics was heavily based upon geometry.&nbsp; It is speculated, though, that the founder of Greek science and mathematics, the philosopher Thales of Milet, visited Egypt and Babylon during his lifetime (634 – 546 B.C.) and brought back knowledge of their astronomy and geometry.&nbsp; The Egyptians made great contributions in the fields of medicine, astronomy and applied mathematics, and while the former triumphs are well documented, there exist no records of the process by which they reached their mathematical conclusions.&nbsp; Thales built on the knowledge brought back from his trips, inventing deductive mathematics and proving a number of theorems – a circle is bisected by a diameter; the base angles of an isosceles triangle are equal; and pairs of vertical angles formed by two intersecting lines are equal.</p>
<p>The foremost text on geometry came from fellow Greek Euclid, whose Elements put together former geometric knowledge with definitions, postulates and opinions – and, of course, Euclid’s elegant and rigorous proofs of the above.&nbsp; In that text, he discussed the algorithm for finding the greatest common divisor of two numbers, which is today referred to as the Euclidean algorithm.&nbsp; One hundred years later around 200 B.C., the world saw the next great algorithm – the Sieve of Eratosthenes, which was used to find prime numbers. </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/sieve.jpg"><img width="149" height="152" border="0" src="http://majestic.typepad.com/seth/images/sieve.jpg" alt="Sieve" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>From <a href="http://en.wikipedia.org/wiki/Sieve_of_Eratosthenes">Wikipedia:</a>&nbsp; </p>
<blockquote><p>Sieve of Eratosthenes is a simple, ancient algorithm for finding all prime numbers up to a specified integer. It is the predecessor to the modern Sieve of Atkin, which is faster but more complex. It was created by Eratosthenes, an ancient Greek mathematician. </p>
</blockquote>
<p>&nbsp;</p>
<p>Another important site in the history of the algorithm was Alexandria, home to Hero, Ptolemy, and Diophantos.&nbsp; Hero, whom <a href="http://majestic.typepad.com/seth/2006/07/media_futures_2.html">we will remember</a> as the inventor of the steam eolipile and other Automata, published widely on geometrics, optics and mechanics – as well as mathematics.&nbsp; Though sources suggest his work is derivative of Archimedes and the work of the Babylonians, his Formula to calculate the area of a triangle in terms of its sides and his Method to extract a root are important contributions to the world of mathematics.&nbsp; Ptolemy published widely on astronomy and geography and calculated the best approximation of ‘pi’ for his time.&nbsp; And Diophantos, known as the ‘father of algebra’, wrote his thirteen-volume Arithmetica on the solution of algebraic equations and the theory of numbers and introduced the use of algebraic symbolism with an abbreviation for the unknown for which he was solving.</p>
<p>But Diophantos shares the title of the ‘father of algebra’ with the aforementioned Al-Khwarizmi, whose work was responsible for significant advances in the world of mathematics.&nbsp; </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/alkhwarizmi_kitab_large.jpg"><img width="150" height="237" border="0" src="http://majestic.typepad.com/seth/images/alkhwarizmi_kitab_large.jpg" alt="Alkhwarizmi_kitab_large" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>It was Al-Khwarizmi’s work that promoted the use of Hindu-Arabic numerals that not only pushed forward the numeral system we use today, but that gives us the very term algorithm. From the very first algorithms of the Babylonians to those of Al-Khwarizmi – to John Napier’s 1614 method for performing calculations using logarithms to the 19th century work of Boole, Frege and Peano, which set out to reduce arithmetic to a series of symbols which could be manipulated by rules – to the work of Babbage, Lovelace and Turing, which took these rules and transformed them into agents of action in computing, these feats of problem-solving are instrumental in understanding man’s quest for a grasp of the workings of the world at large.&nbsp; &nbsp;&nbsp; &nbsp;</p>
<p><strong>Babbage and Turing</strong></p>
<blockquote>
<p>One great advantage which we may derive from machinery<br />
is from the check which it affords against the inattention, the<br />
idleness, or the dishonesty of human agents.<br /><em>From Babbage’s 1832 work “On the Economy of Machinery and Manufactures”</em></p>
</blockquote>
<p>In our discussion of rules that govern the Internet, we must turn to the work of Babbage and Turing, for it serves as the important foundation for computing at all.&nbsp; Babbage’s work grew out in part out of a need for more accurate mathematical tables, which were essential calculating aids used in navigation and astronomy, insurance and civil engineering.&nbsp; These tables were produced by human computers and by hand – and as such, they were prone to error in terms of computation and reporting.&nbsp; Even the slightest errors in navigational or astronomical tables can be costly – so it is no surprise that in the years leading up to Babbage’s project, government sources were willing to fund projects that would minimize the costs of troubleshooting.&nbsp; </p>
<p>For example, the British Nautical Almanac, the world’s first permanent table-making project – had a reputation for ever-improving accuracy since its inception in 1766.&nbsp; But moving into the 19th century, that seaman’s bible swung into a dangerous territory of inaccuracy and error, and the British government recognized the promise of producing mathematical tables mechanically and typesetting them by the same machine.&nbsp; </p>
<p>So Babbage set out, with financial support (and the admirals’ prayers) to improve the accuracy of those ever-important mathematical tables by constructing algorithm-driven machines.&nbsp; It was a move that mechanized the production of thought, a move that would eliminate human folly in computation, transcription and typesetting.&nbsp; The result would be better answers, answers which would in turn be used for giving new instructions, as inputs in other algorithms.&nbsp; &nbsp;</p>
<p>Babbage never finished his Difference Engine – though, in 1832 his manufacturing engineer did construct a working portion of it, which measured two and a half feet high by two feet wide by two feet deep.&nbsp; Babbage moved forward to conceptualizing what would be the world’s first programmable digital computer – the Analytical Engine.&nbsp; Babbage’s designed the engine such that it would separate the sites of arithmetic computation from the storage of numbers.&nbsp; The computation would be carried out through a series of steps recorded on punch cards, such as the ones used in the technology of the Jacquard loom.&nbsp; </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/a_engine.jpg"><img width="150" height="178" border="0" alt="A_engine" src="http://majestic.typepad.com/seth/images/a_engine.jpg" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>But however intriguing and important the technology seemed, Babbage’s Analytical Engine – due to factors financial and logistical – was never built.&nbsp; It comes to us only through Ada Lovelace’s annotated translation of a French introduction to the machine – a piece of writing that established the algorithm for the computation of Bernouilli numbers, and a piece of writing that established the idea of computer programming.&nbsp; Turing would later build on the work of Lovelace and Babbage, formalizing their concepts in the Universal Machine.</p>
<p>When Turing introduced the mathematical description of the Universal Machine in the 1936 paper “On Computable Numbers”, he set out to answer the Entscheidungsproblem, the third question left by mathematician David Hilbert.&nbsp; Gödel had already answered Hilbert’s first two questions – No, mathematics was not complete, and it was not consistent.&nbsp; Turing showed that mathematics was not decidable.&nbsp; And that recipe to solve a particular problem, gave us an answer that begs the asking of a new set of questions.</p>
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		<title>MEDIA FUTURES 2006:  2/5 ALGORITHM:  History of Algorithm</title>
		<link>http://sethgoldstein.com/2006/09/03/media-futures-2006-25-algorithm-history-of-algorithm-2/</link>
		<comments>http://sethgoldstein.com/2006/09/03/media-futures-2006-25-algorithm-history-of-algorithm-2/#comments</comments>
		<pubDate>Mon, 04 Sep 2006 05:02:57 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[Automata]]></category>
		<category><![CDATA[Data]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media Futures]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://blog.sethgoldstein.com/?p=67</guid>
		<description><![CDATA[An algorithm is a machine that can be used to reproduce a unique pattern of behavior.&#160; &#160;The history of the word traces back to the Greeks and the instruments they used for mathematics; for example, the sieve.&#160; In the context of Media Futures, imagine that algorithms are tightly woven filters that capture the full range [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=192&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>An algorithm is a machine that can be used to reproduce a unique pattern of behavior.&nbsp; &nbsp;The history of the word traces back to the Greeks and the instruments they used for mathematics; for example, the sieve.&nbsp; In the context of Media Futures, imagine that algorithms are tightly woven filters that capture the full range of human Automata and slowly sift through them to produce the most meaningful, intentional gestures.</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/animation_sieb_des_eratosthenes.gif"><img width="150" height="124" border="0" alt="Animation_sieb_des_eratosthenes" title="Animation_sieb_des_eratosthenes" src="http://majestic.typepad.com/seth/images/animation_sieb_des_eratosthenes.gif" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong><br /></strong></p>
<p><strong>Ancient Algorithms</strong></p>
<p>Finding its root in <em>algorism,</em> a reading of the name of Abu Ja’far Muhammad ibn Musa Al-Khwarizmi, the 9th century Persian mathematician who described a set of rules for solving both Linear and Quadratic equations, algorithm came to its present state by way of an 18th century European Latin translation and soon expanded its meaning to encompass all definite procedures for solving problems or performing tasks.&nbsp; The very first algorithms are a part of the Babylonian mathematical legacy – a legacy which not only left us with algorithms for factorization, finding square roots and performing long division, but which also left us with the base 60 system that gives 60 minutes to an hour, 60 seconds to a minute, 360 degrees to a circle and 24 hours to a clock.&nbsp; Babylonians were in fact able to calculate things with the same accuracy as Renaissance mathematicians due to their use of number tables, like the Plimpton Tablet, a table of Pythagorean Triples from about 1700 B.C.</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/plimptontablet.gif"><img width="150" height="113" border="0" src="http://majestic.typepad.com/seth/images/plimptontablet.gif" title="Plimptontablet" alt="Plimptontablet" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>While the Babylonians based their mathematical system in large part on algebra, the Greek system of mathematics was heavily based upon geometry.&nbsp; It is speculated, though, that the founder of Greek science and mathematics, the philosopher Thales of Milet, visited Egypt and Babylon during his lifetime (634 – 546 B.C.) and brought back knowledge of their astronomy and geometry.&nbsp; The Egyptians made great contributions in the fields of medicine, astronomy and applied mathematics, and while the former triumphs are well documented, there exist no records of the process by which they reached their mathematical conclusions.&nbsp; Thales built on the knowledge brought back from his trips, inventing deductive mathematics and proving a number of theorems – a circle is bisected by a diameter; the base angles of an isosceles triangle are equal; and pairs of vertical angles formed by two intersecting lines are equal.</p>
<p>The foremost text on geometry came from fellow Greek Euclid, whose Elements put together former geometric knowledge with definitions, postulates and opinions – and, of course, Euclid’s elegant and rigorous proofs of the above.&nbsp; In that text, he discussed the algorithm for finding the greatest common divisor of two numbers, which is today referred to as the Euclidean algorithm.&nbsp; One hundred years later around 200 B.C., the world saw the next great algorithm – the Sieve of Eratosthenes, which was used to find prime numbers. </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/sieve.jpg"><img width="149" height="152" border="0" src="http://majestic.typepad.com/seth/images/sieve.jpg" title="Sieve" alt="Sieve" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>From <a href="http://en.wikipedia.org/wiki/Sieve_of_Eratosthenes">Wikipedia:</a>&nbsp; </p>
<blockquote><p>Sieve of Eratosthenes is a simple, ancient algorithm for finding all prime numbers up to a specified integer. It is the predecessor to the modern Sieve of Atkin, which is faster but more complex. It was created by Eratosthenes, an ancient Greek mathematician. </p>
</blockquote>
<p>&nbsp;</p>
<p>Another important site in the history of the algorithm was Alexandria, home to Hero, Ptolemy, and Diophantos.&nbsp; Hero, whom <a href="http://majestic.typepad.com/seth/2006/07/media_futures_2.html">we will remember</a> as the inventor of the steam eolipile and other Automata, published widely on geometrics, optics and mechanics – as well as mathematics.&nbsp; Though sources suggest his work is derivative of Archimedes and the work of the Babylonians, his Formula to calculate the area of a triangle in terms of its sides and his Method to extract a root are important contributions to the world of mathematics.&nbsp; Ptolemy published widely on astronomy and geography and calculated the best approximation of ‘pi’ for his time.&nbsp; And Diophantos, known as the ‘father of algebra’, wrote his thirteen-volume Arithmetica on the solution of algebraic equations and the theory of numbers and introduced the use of algebraic symbolism with an abbreviation for the unknown for which he was solving.</p>
<p>But Diophantos shares the title of the ‘father of algebra’ with the aforementioned Al-Khwarizmi, whose work was responsible for significant advances in the world of mathematics.&nbsp; </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/alkhwarizmi_kitab_large.jpg"><img width="150" height="237" border="0" src="http://majestic.typepad.com/seth/images/alkhwarizmi_kitab_large.jpg" title="Alkhwarizmi_kitab_large" alt="Alkhwarizmi_kitab_large" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>It was Al-Khwarizmi’s work that promoted the use of Hindu-Arabic numerals that not only pushed forward the numeral system we use today, but that gives us the very term algorithm. From the very first algorithms of the Babylonians to those of Al-Khwarizmi – to John Napier’s 1614 method for performing calculations using logarithms to the 19th century work of Boole, Frege and Peano, which set out to reduce arithmetic to a series of symbols which could be manipulated by rules – to the work of Babbage, Lovelace and Turing, which took these rules and transformed them into agents of action in computing, these feats of problem-solving are instrumental in understanding man’s quest for a grasp of the workings of the world at large.&nbsp; &nbsp;&nbsp; &nbsp;</p>
<p><strong>Babbage and Turing</strong></p>
<blockquote>
<p>One great advantage which we may derive from machinery<br />
is from the check which it affords against the inattention, the<br />
idleness, or the dishonesty of human agents.<br /><em>From Babbage’s 1832 work “On the Economy of Machinery and Manufactures”</em></p>
</blockquote>
<p>In our discussion of rules that govern the Internet, we must turn to the work of Babbage and Turing, for it serves as the important foundation for computing at all.&nbsp; Babbage’s work grew out in part out of a need for more accurate mathematical tables, which were essential calculating aids used in navigation and astronomy, insurance and civil engineering.&nbsp; These tables were produced by human computers and by hand – and as such, they were prone to error in terms of computation and reporting.&nbsp; Even the slightest errors in navigational or astronomical tables can be costly – so it is no surprise that in the years leading up to Babbage’s project, government sources were willing to fund projects that would minimize the costs of troubleshooting.&nbsp; </p>
<p>For example, the British Nautical Almanac, the world’s first permanent table-making project – had a reputation for ever-improving accuracy since its inception in 1766.&nbsp; But moving into the 19th century, that seaman’s bible swung into a dangerous territory of inaccuracy and error, and the British government recognized the promise of producing mathematical tables mechanically and typesetting them by the same machine.&nbsp; </p>
<p>So Babbage set out, with financial support (and the admirals’ prayers) to improve the accuracy of those ever-important mathematical tables by constructing algorithm-driven machines.&nbsp; It was a move that mechanized the production of thought, a move that would eliminate human folly in computation, transcription and typesetting.&nbsp; The result would be better answers, answers which would in turn be used for giving new instructions, as inputs in other algorithms.&nbsp; &nbsp;</p>
<p>Babbage never finished his Difference Engine – though, in 1832 his manufacturing engineer did construct a working portion of it, which measured two and a half feet high by two feet wide by two feet deep.&nbsp; Babbage moved forward to conceptualizing what would be the world’s first programmable digital computer – the Analytical Engine.&nbsp; Babbage’s designed the engine such that it would separate the sites of arithmetic computation from the storage of numbers.&nbsp; The computation would be carried out through a series of steps recorded on punch cards, such as the ones used in the technology of the Jacquard loom.&nbsp; </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/a_engine.jpg"><img width="150" height="178" border="0" alt="A_engine" title="A_engine" src="http://majestic.typepad.com/seth/images/a_engine.jpg" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>But however intriguing and important the technology seemed, Babbage’s Analytical Engine – due to factors financial and logistical – was never built.&nbsp; It comes to us only through Ada Lovelace’s annotated translation of a French introduction to the machine – a piece of writing that established the algorithm for the computation of Bernouilli numbers, and a piece of writing that established the idea of computer programming.&nbsp; Turing would later build on the work of Lovelace and Babbage, formalizing their concepts in the Universal Machine.</p>
<p>When Turing introduced the mathematical description of the Universal Machine in the 1936 paper “On Computable Numbers”, he set out to answer the Entscheidungsproblem, the third question left by mathematician David Hilbert.&nbsp; Gödel had already answered Hilbert’s first two questions – No, mathematics was not complete, and it was not consistent.&nbsp; Turing showed that mathematics was not decidable.&nbsp; And that recipe to solve a particular problem, gave us an answer that begs the asking of a new set of questions.</p>
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		<title>MEDIA FUTURES 2006:  2/5 ALGORITHM:  The Transition from Automata to Algorithm</title>
		<link>http://sethgoldstein.com/2006/08/31/media-futures-2006-25-algorithm-the-transition-from-automata-to-algorithm/</link>
		<comments>http://sethgoldstein.com/2006/08/31/media-futures-2006-25-algorithm-the-transition-from-automata-to-algorithm/#comments</comments>
		<pubDate>Thu, 31 Aug 2006 17:44:25 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[essays]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media Futures]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://sethgoldstein.wordpress.com/2006/08/31/media-futures-2006-25-algorithm-the-transition-from-automata-to-algorithm/</guid>
		<description><![CDATA[In the beginning there is the Automata.&#160; It is the prime mover: an intention that drives human action. Over time, the record of these actions, both individually and across people,&#160; establish a unique pattern of behavior that is known as an Algorithm.&#160; In the context of Media Futures, an algorithm is a computing engine designed [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=65&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In the beginning there is the <strong>Automata.</strong>&nbsp; It is the prime mover: an intention that drives human action.<a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/uniquealgorithm81306.jpg"><img width="150" height="112" border="0" alt="Uniquealgorithm81306" src="http://majestic.typepad.com/seth/images/uniquealgorithm81306.jpg" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>Over time, the record of these actions, both individually and across people,&nbsp; establish a unique pattern of behavior that is known as an <strong>Algorithm.</strong>&nbsp; In the context of Media Futures, an algorithm is a computing engine designed to process behavioral data and convert it into content that engages ones Attention.</p>
<p>You can imagine an Algorithm like a strange Rube Goldberg machine with a complex set of routers, pulleys and chutes that turn a certain input into an equally certain output.&nbsp; </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/rg_48.gif"><img width="150" height="77" border="0" alt="Rg_48" src="http://majestic.typepad.com/seth/images/rg_48.gif" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>Recall our reinterpretation of Hamlet:</p>
<blockquote><p>We encourage others to participate so that we may consume them<br />and we make ourselves interesting for the blogosphere.&nbsp; Your Internet CEO and your Joe Blogger are just different algorithms- two APIs, but to one network.</p>
</blockquote>
<p>Each decision that I make as to what to pay Attention to, and the physical gesture that I use to effect this choice (search, click, form, sign in, etc) establishes a little personal algorithm that gets joined with all of my other personal algorithms.&nbsp; Together, this bundle of personal information algorithms establishes and maintains my persistent, stable electronic identity.&nbsp; This is a deeper, more authentic version of me than simply a numeric ID that establishes my offline physical presence.&nbsp; The <em>me that makes me me </em>online is one that I actively create and reinforce every moment based on a series of interlocking gears (which I control based on data I produce).</p>
<p>&nbsp;</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/root830051.jpg"><img width="150" height="78" border="0" src="http://majestic.typepad.com/seth/images/root830051.jpg" alt="Root830051" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p></p>
<p>And now if you pull up from the tree of me as an individual to the forest of all of us in society, then you see a much broader fabric.&nbsp; The fabric represents Social Media, each of its infinite threads representing one individual&#8217;s momentary micro algorithmic gesture.&nbsp; </p>
<p>One would assume that each of these mini decisions was distributed to the edges, and that the control over it was determined by its owner.&nbsp; <strong>But this would be to ignore the gravity of the Attention economy, which is Influence.&nbsp; </strong>On the Internet, Influence is measured by the amount of Attention one gets relative to the amount of information one gives&nbsp; The most influential online individual is able to syndicate a limited but steady stream of <em>what makes me me</em>-ness through his personal API and nevertheless generate a high pagerank that lands him above the Google fold.</p>
<p>The area that I am most interested in exploring in this current chapter on Algorithm is the rub between what you are searching for and where you emerge from other people&#8217;s searches.&nbsp; This is located between (1) the record of your Attention (for example as expressed recently by AOL through their disclosure of &quot;anonymous&quot; search histories) and (2) the position you occupy within the pagerank universe based on what keywords produce results that point to you, above the fold.</p>
<p>For me,&nbsp; these keywords might include: &quot;<a href="http://www.google.com/search?q=seth+goldstein&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Seth Goldstein</a>&quot;&nbsp; &quot;<a href="http://www.google.com/search?q=media+arbitrage&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Media Arbitrage</a>&quot;&nbsp; &quot;<a href="http://www.google.com/search?q=algorithm+futures&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Algorithm Futures</a>&quot; &quot;<a href="http://www.google.com/search?q=transparent+soft+dollars&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Transparent Soft Dollars</a>&quot;</p>
<p>
<blockquote>
<p><em>Coming next, a brief history of Algorithm</em></p>
</blockquote>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/sethgoldstein.wordpress.com/65/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/sethgoldstein.wordpress.com/65/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/sethgoldstein.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/sethgoldstein.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/sethgoldstein.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/sethgoldstein.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/sethgoldstein.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/sethgoldstein.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/sethgoldstein.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/sethgoldstein.wordpress.com/65/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=65&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
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		<title>MEDIA FUTURES 2006:  2/5 ALGORITHM:  The Transition from Automata to Algorithm</title>
		<link>http://sethgoldstein.com/2006/08/31/media-futures-2006-25-algorithm-the-transition-from-automata-to-algorithm-2/</link>
		<comments>http://sethgoldstein.com/2006/08/31/media-futures-2006-25-algorithm-the-transition-from-automata-to-algorithm-2/#comments</comments>
		<pubDate>Thu, 31 Aug 2006 23:44:25 +0000</pubDate>
		<dc:creator>sethgoldstein</dc:creator>
				<category><![CDATA[Algorithm]]></category>
		<category><![CDATA[Attention]]></category>
		<category><![CDATA[essays]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media Futures]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://blog.sethgoldstein.com/?p=66</guid>
		<description><![CDATA[In the beginning there is the Automata.&#160; It is the prime mover: an intention that drives human action. Over time, the record of these actions, both individually and across people,&#160; establish a unique pattern of behavior that is known as an Algorithm.&#160; In the context of Media Futures, an algorithm is a computing engine designed [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sethgoldstein.com&amp;blog=533724&amp;post=191&amp;subd=sethgoldstein&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In the beginning there is the <strong>Automata.</strong>&nbsp; It is the prime mover: an intention that drives human action.<a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/uniquealgorithm81306.jpg"><img width="150" height="112" border="0" alt="Uniquealgorithm81306" title="Uniquealgorithm81306" src="http://majestic.typepad.com/seth/images/uniquealgorithm81306.jpg" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>Over time, the record of these actions, both individually and across people,&nbsp; establish a unique pattern of behavior that is known as an <strong>Algorithm.</strong>&nbsp; In the context of Media Futures, an algorithm is a computing engine designed to process behavioral data and convert it into content that engages ones Attention.</p>
<p>You can imagine an Algorithm like a strange Rube Goldberg machine with a complex set of routers, pulleys and chutes that turn a certain input into an equally certain output.&nbsp; </p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/rg_48.gif"><img width="150" height="77" border="0" alt="Rg_48" title="Rg_48" src="http://majestic.typepad.com/seth/images/rg_48.gif" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p>Recall our reinterpretation of Hamlet:</p>
<blockquote><p>We encourage others to participate so that we may consume them<br />and we make ourselves interesting for the blogosphere.&nbsp; Your Internet CEO and your Joe Blogger are just different algorithms- two APIs, but to one network.</p>
</blockquote>
<p>Each decision that I make as to what to pay Attention to, and the physical gesture that I use to effect this choice (search, click, form, sign in, etc) establishes a little personal algorithm that gets joined with all of my other personal algorithms.&nbsp; Together, this bundle of personal information algorithms establishes and maintains my persistent, stable electronic identity.&nbsp; This is a deeper, more authentic version of me than simply a numeric ID that establishes my offline physical presence.&nbsp; The <em>me that makes me me </em>online is one that I actively create and reinforce every moment based on a series of interlocking gears (which I control based on data I produce).</p>
<p>&nbsp;</p>
<p><a href="http://majestic.typepad.com/.shared/image.html?/photos/uncategorized/root830051.jpg"><img width="150" height="78" border="0" src="http://majestic.typepad.com/seth/images/root830051.jpg" title="Root830051" alt="Root830051" style="float:left;margin:0 5px 5px 0;" /></a>
</p>
<p></p>
<p>And now if you pull up from the tree of me as an individual to the forest of all of us in society, then you see a much broader fabric.&nbsp; The fabric represents Social Media, each of its infinite threads representing one individual&#8217;s momentary micro algorithmic gesture.&nbsp; </p>
<p>One would assume that each of these mini decisions was distributed to the edges, and that the control over it was determined by its owner.&nbsp; <strong>But this would be to ignore the gravity of the Attention economy, which is Influence.&nbsp; </strong>On the Internet, Influence is measured by the amount of Attention one gets relative to the amount of information one gives&nbsp; The most influential online individual is able to syndicate a limited but steady stream of <em>what makes me me</em>-ness through his personal API and nevertheless generate a high pagerank that lands him above the Google fold.</p>
<p>The area that I am most interested in exploring in this current chapter on Algorithm is the rub between what you are searching for and where you emerge from other people&#8217;s searches.&nbsp; This is located between (1) the record of your Attention (for example as expressed recently by AOL through their disclosure of &quot;anonymous&quot; search histories) and (2) the position you occupy within the pagerank universe based on what keywords produce results that point to you, above the fold.</p>
<p>For me,&nbsp; these keywords might include: &quot;<a href="http://www.google.com/search?q=seth+goldstein&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Seth Goldstein</a>&quot;&nbsp; &quot;<a href="http://www.google.com/search?q=media+arbitrage&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Media Arbitrage</a>&quot;&nbsp; &quot;<a href="http://www.google.com/search?q=algorithm+futures&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Algorithm Futures</a>&quot; &quot;<a href="http://www.google.com/search?q=transparent+soft+dollars&amp;start=0&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-a&amp;rls=org.mozilla:en-US:official">Transparent Soft Dollars</a>&quot;</p>
<p>
<blockquote>
<p><em>Coming next, a brief history of Algorithm</em></p>
</blockquote>
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